Past Project
Traumnovelle: Picnic in the Aftermath
27.07.19 | Shatwell Farm, Somerset

Curated by Matchett & Page in collaboration with Drawing Matter.
Food, drinks and music by Lucas Hollweg and Lucie Reader, Gimlet Bar and Three Cane Whale.
Traumnovelle, Picnic in the Aftermath, 2019. Digital collage. © Traumnovelle


Before the feast, we parade across the sunny valley, gathering its bounty in a celebratory dance. We pick some fruit from the trees and children reach among vines, staining their faces with sweetness. Under the attentive eye of the chickens, we dig up roots from the rich humus. We collect some vegetables at the foot of the trees and gather odorant herbs and flowers. The newcomers follow us cautiously, as if still unaware that their plight has ended. Mid-afternoon, proud and jubilant, we light a fire and begin preparation of the summer feast. As we tend, clean, cut and season, we tell them the story of our valley.

Excerpt from Traumnovelle’s short fictional story Picnic in the Aftermath 

In Summer 2019, we invited the Belgian architects Traumnovelle (Léone Drapeaud, Manuel León Fanjul and Johnny Leya) to transform Shatwell Farm in Somerset into a sublime landscape for a one-off event. The architects’ intervention brought together two of the site’s strands of activity: the day-to-day life of the farm and the architectural drawings collection of Drawing Matter

We arranged the fragrant food along the table, our one and only addition to the site. It rose from the grass to face the storage house, both transending and binding the site together – a bridge lining all of our needs, all of our stories, all of our hopes and all of our beliefs into one... 

Picnic in the Aftermath

Traumnovelle’s intervention centred around a fictional story written for the event which imagined a future return to Shatwell after a life-altering global event. The title of the story, Picnic in the Aftermath, is both a play on the disquieting associations of the word ‘aftermath’ and its positive agricultural definition and a reference to the science fiction novel Roadside Picnic (1972) by Arkady and Boris Strugatsky.

In Traumnovelle’s story, a group of weary travellers come across the valley and establish a new settlement in the agricultural ruins; in a similar way, the attendees of Picnic in the Aftermath were invited to take a winding descent into the Shatwell valley to enjoy a feast of locally-sourced ingreedients. The feast was served on a sixty-foot-long structure that functioned as seating, a table, a bar and an armature on which reproductions of drawings from the Drawing Matter collection were displayed.